Lives Of The Artists.

Between the Eyes / C4.

Lives Of The Artists.  Between the Eyes / C4.
Lives Of The Artists

Prime Focus has teamed up with Between the Eyes and Erasmus to work on Ross Cairns' feature length documentary for energy drinks company 'Relentless', which explores the personalities of contemporary athletes and artists as they search for fulfillment. A special one-off cut down was also created, which airs on Channel 4 at 11.45pm on Thursday 17th December. The whole feature can be viewed online at relentlessenergy.com.

‘Lives Of The Artists’ focuses on big mountain rider, Xavier De Le Rue, surfers Tom Lowe, Mickey Smith and Fergal Smith and the punk rock outfit 'Gallows'. The film, which was shot on a mixture of 16mm film, Canon D5 and HDV, thematically intercuts between the genres and highlights that despite these being three very different disciplines, the protagonists are all bound by the same passion.

"Prime Focus made it easy for us to segue between grading and online, allowing a lot of flexibility right up until the last moment. When deadlines are tight, as they were on this project, that was a real luxury. Not to mention the quality of the work, which was top drawer" said Ben Pugh, Producer at Between the Eyes.

Duncan Russell graded the film and commented "This was grading heaven; I’d still be doing it now if I had the chance. The brief was to make it look really scary, especially the nature stuff. For the sea, it was black water and white foaming wave crests, and then all of a sudden there would be some beautiful sunset shots and pristine snowscapes. On the Gallows footage, we went for a non-matching grade because it had been shot on different nights and days; the grade goes twilight, sunny day, gray car park. Ross wanted them all to look different; it was all about being disoriented so the performance is the same but the place has changed."

"There is an urban bleakness to the Gallows, a terrible weight to the waves and a sense of enormity to the snow footage," continued Duncan. "The grade was all about catching the differences and not trying to blend them together at all."

The conform was done by Fraser Cleland and Sunil Rao, who worked closely with Ross and the Between the Eyes team. Fraser said "The key was to keep it organised - it was very smooth throughout. It’s the kind of film that makes you feel good; it is beautifully shot and edited, the audio is great and the subject matter is really interesting."

Fraser added "We began in 2K, but decided it was more suited to the HD format, so we did some resizing, fixing of shots, clean up and removing film artifacts. There are some HD shots there as well which we had to make look like film by adding grain and then grading it. Once it got to a certain point it went into grade with Duncan and then it came back to us for de-spotting, further clean up and adding titles."

Fellow Prime Focus Smoke Op Sunil Rao added "We liaised very closely with the client; there was lots of communication between everyone which helped. It looks absolutely stunning, like a nature piece almost and I think it will appeal far beyond extreme sports fans. I’ve never seen shots like the ones they have captured and I’ve watched loads of films on similar themes."

Credits.

Project: Lives Of The Artists
Client: Relentless
Production Company: Between the Eyes
Director: Ross Cairns
DoP's: Daniel Trapp, Ed Wild, Richard Stewart
Producers: Ben Pugh, Rory Aitken

Prime Focus.

Post production: Prime Focus
Telecine: Duncan Russell
Film Scanning: Kai Van Beers, Vic Parker, Richard Fearon
Online: Fraser Cleland, Sunil Rao
VFX post producers: Paula Da Costa, Dionne Archibald

Connect.